Technologies in Live Performance of Classical Music as Resource of Music Mediation

Auteurs

  • Nívea Renata Alencar de Freitas Universidade Federal de Minas Gerais

DOI :

https://doi.org/10.71228/ijmm.2024.8

Mots-clés :

Music Mediation, Arts Technology, Concert Studies, Music Performance

Résumé

This paper presents an overview of contemporary practices that incorporate technological tools into live classical music performances. These tools serve various functions, including enhancing sound transformation in the musical process and augmenting the aesthetic experience of performances through audiovisual elements. Drawing on international examples from large institutions and independent projects, the study highlights the evolving role of technology in classical music, particularly in fostering new forms of audience engagement and reshaping concert experiences. The analysis touches on key issues such as the declining interest in classical music, the aging audience base, and the role of non-traditional venues in broadening appeal. It also addresses how these new practices contribute to breaking away from the "rituals" of traditional concert formats, providing a fresh perspective on how classical music performances can connect with modern audiences.

Publiée

2025-01-17